
The Shadow King is an incredible testament to a vision which seeks to break open and subvert cultural and theatrical assumptions through scale, through premise, thorough the integrity of community consultation.

I will take any coming bets that by tomorrow morning this four show season will be a sell out. Perth is a talking town and this is a cracker of a show.

Suspended on a grid of metal pipe, sits three people. Two women and a man. Somehow caught adrift in mid-air the three stare into the dark of the audience. At any moment they might speak, or sing – to us, to each other.

Director Glenn Elston has reimagined the romantic comedy that is A Midsummer Night’s Dream into an energy packed spectacle featuring death-defying acrobatics, music and of course, some of the most beloved characters in literature.

Lay of the Land is a confronting and moving account of one man’s gruelling journey to his ultimate much desired destination – marriage.

Kate Denborough has assembled a series of vignettes centralised around a piece of equipment which flexes and fluxes – which both enthrals and bores.

Death Threats and Other Forms of Flattery is very rude, daft and there should be much, much more of this sort of thing.