
Intensely constructed psychological thriller keeps audience members guessing and engaged with developments.

An incredible feat of strength, technical ability and grace, the Australian Ballet’s current four-piece feature is a glimpse into the future of ballet.

That this is the first attempt at a stage performance should be massively impressive. The writing is tight, the acting is solid, the staging is adventurous, and there's a feeling of confidence about the whole thing you might not expect with a debut.

As stories go it is hugely dark and challenging, a frightening undercurrent to recent Australian history.

Though dutifully and deftly delivered by a very capable cast, Mojo falls short of the explosive and effusive praise quoted in the program.

It’s fun but guilty fun: a campy extravaganza atop emotional depths employing a tricky balance of tone.