Latest Reviews
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Dance, lighting, theatre, movement, puppetry and sound all combine to make this remarkable presentation one to think about and remember.
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Kenza can write but this play amounts to a matter of style over substance. The work is way, way too long, and the writer has lost control of her material.
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Frames is clearly-written and accessible, full of information and brutally honest about contemporary Australian family life.
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Let’s Get it On pays tribute to the man who was blessed with musical genius and physical beauty.
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The tenth anniversary return season of WICKED to Melbourne’s Regent Theatre pulls no punches. It’s big budget wonderment overflowing with sumptuous costumes, a set design that demands gasps of delight, and singing that makes the goosebumps.
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On face value, it is reasonably engaging and enjoyable, but the show is undeniably shallow. It lacks the most important qualities of a musical, and as such, falls short of audience expectation.
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This year Leung has taken on another burning ambition; to be a private detective! In what he describes as a journey of “hardcore whimsy” he leads us on an intensely personal trip to achieve this career ambition.
