
Kin Collective’s work with the comedy/drama/tragedies of Martin McDonagh is nothing short of stupendous theatre.

This is a very enjoyable production all round, although one needs to skip over the western interpretations of Thai history and culture.

McDonagh’s talent is for telling twisted Irish folk tales in an almost anti-style, where the genre is not one thing or another.

Intensely constructed psychological thriller keeps audience members guessing and engaged with developments.

An incredible feat of strength, technical ability and grace, the Australian Ballet’s current four-piece feature is a glimpse into the future of ballet.

That this is the first attempt at a stage performance should be massively impressive. The writing is tight, the acting is solid, the staging is adventurous, and there's a feeling of confidence about the whole thing you might not expect with a debut.