
A moving puppet adaptation of a classic book, changing the medium without losing its message.

Much like their flawless harmonies, the Bobby’s are a four-part act that blends together perfectly in a humorous and musically advanced performance.

I have rarely heard such a convincing fusion of great singing and total character portrayal as in this performance of Otello.

The classic piece of theatre is given the Bell Shakespeare twist with director Damien Ryan choosing to stage the play during the London air raids of the 1940s.

Narrative and character were thrown overboard into a sea of plastic cups and replaced with random text from a range of amazing writers like Plath, Cave and Camus but the delivery of their snippets of prose failed to engage.

The Chimney Sweep is a lively romp, an amusing domestic farce with servants in disguise bamboozling their capricious and vain masters both for their own ends and to teach them a lesson in the process.

In Belvoir’s new production of Hedda Gabler, Adena Jacobs writes in her Director's Notes that she doesn't want to explain why she cast a male actor as Hedda and hopes the production will speak for itself, but I am still wondering.