
She’s an angry bird all right, with the stage persona of your classic foulmouthed Aussie pub comic with ‘balls and bite’ who descends into moments of almost insane rage.

The title role is huge, and Caitlin Hulcup’s performance of it was a true tour de force. She understood every nuance of the emotional fabric of the music.

The House of Yes affords Little Ones all the possibility of playing with the conventions and markers of American family culture, of subverting familiar tropes, gestures and the mores of middle-class life, in a concentrated lush style that is entirely their own.

Dr Daniela Kaleva's show is a unique combination of academic exploration which both intermediates and underpins the performances.

Bell’s fresh new production of Tosca is beautiful and it is painfully dark as well, incorporating love with tragedy, making for a perfect combination for an opera.

It’s not every day that you are introduced to a new stage musical. On top of that, it isn’t easy to pull one off in a small theatre space. However, Hayes Theatre Co. does just that.