Latest Reviews
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Feat Theatre launched their performance space in Preston’s Oakover Road last Thursday night with a bizarre multi-dimensional play, Receivers which appears to be about one man’s drug-induced psychosis but you can never be quite sure.
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With his trademark mix of sly metaphor and sarcastic humour, Ben Elton’s satirical offering Gasp!, now showing at QPAC’s Playhouse Theatre for QTC, both delights and demands attention from audiences.
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Calpurnia Descending mourns the disappearance of true glamour and mystery (both of drag and of the stage and the silver screen) and pays homage to the time when stars were elusive, when the formidable females behind their public images remained private and unknowable.
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Felicity Kendal leads the competent cast in this recreation of Noel Coward’s play first produced in 1924.
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Bernadette Robinson’s solo performance in Pennsylvania Avenue is a reprise, of sorts, of her 2010 show Songs for Nobodies, with the same creative team: writer Joanna Murray-Smith, director Simon Phillips and musical director Ian McDonald.
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Imagine waking from a drugged sleep – there are voices and people but you’re not sure what’s going on or if any of it makes sense. A frog croaks – or was it someone pretending to be a frog?
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In his one man cabaret show, Killing Time, Mitchell Butel instantly engages the audience with his vivacious, twinkling charm and then dazzles them with his show-biz pizzazz.
