
Conceived by one of Stephen Sondheim’s long time collaborators, James Lapine, Sondheim on Sondheim is a tribute to the career of Broadway’s finest lyricist/composer of the last 50 years.

After the recent spate of musical revivals that have been rolled out in Melbourne, it is with open arms that we are able to welcome the Australian premiere of a 'new' musical – Once.

Michael Griffiths held the rapt attention of the full house with another excellent female diva recreation. Last year it was Madonna. This Cabaret season it was the love and heartbreak that inspired Annie Lennox.

Farm is a feast for the eyes, and Flockart makes a wonderful transition from the spirited, somewhat defiant young girl to the young lady that carries on in her father’s footsteps.

How To Keep An Alien is a mostly one-woman show, and Sonya Kelly, as the key performer is simply wonderful to watch on stage.

This Carrie is not the disaster that the history books have recorded and while far from perfect, holds enough talent and curiosity to hopefully entice Melbourne's music theatre buffs to go and check it out.

It would be fair to say that Sydney audiences have become a little nervous about what to expect from Belvoir over recent times, but the company has unequivocally redeemed itself with this stunning, magical, pitch perfect production of Tennessee William’s autobiographical play, The Glass Menagerie.