Latest Reviews
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There's affectionate offensive arse kicking and farce kissing in Declan Greene's The Homosexuals, or 'Faggots', an unabashed bashing of the politicly correct pomposity that has infected our society.
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The three pieces The Australian Ballet has launched its 2017 season with couldn’t be more different.
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What a theatrical ride: in a show of this magnitude and grandeur, it is hard to single out all the characters and regale them, nor can I retell in any way, shape or form, the sequence of events and magical show tunes, without gushing or going over-the-top.
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The Brisbane local boy (as he loudly announced "Indro kid 4068 represennnnt!" ) is back on home soil and performing where it all began for him – the iconic Brisbane Powerhouse.
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Evan Placey's play is a keenly observed, cleverly constructed and penetrating piece of emotive, thought provoking theatre that pendulum swings our notions of guilt and innocence, victim and perpetrator.
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We – mostly in our rigid bodies – see bodies all day long but never really see them reaching for their full potential, this physical exploration, and that's why this is such a visual feast. These six performers are our physical potential realised. And it's magical stuff.
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Imagine a world where time doesn’t exist, at least not in the linear, beginning-to-end fashion that we are familiar with.
