Latest Reviews
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This is an extremely funny play, at turns satirical and wilfully silly in the extreme, ultimately bordering on farce, as these four rather loopy characters scheme and snipe and fret and fawn over each other in anticipation of Rasputin’s arrival.
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When Sam Simmons arrives on stage trilling like a choir boy wearing a ruffle he’s stolen from a drag queen, you might assume we’re in for another one of his absurdist prop strewn shows. But surprisingly, there are no bread shoes, no tacos being smashed on his bare chest.
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Faster is modern ballet in its truest form. The production is segmented into three works, completely unlike each other. They explore moments in time, people, places and how they connect to each other.
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Sydney Opera House and CDP Theatre Producers present the opportunity to see Horrible Harriet in all her glory live on stage.
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Taking Bottom the weaver and his fellow gormless tradies with dreams of amateur theatrical stardom, playwrights Keith Robinson and Tony Taylor imagine what they got up to between the scenes of A Midsummer Night’s Dream.
