
In This is Eden, Emily Goddard tells the story of her great great great grandmother, Sarah Ford, who was transported as a convict in 1837 and imprisoned in the Cascades Female Factory near Hobart.

The stunning choreography in this epic tale weaves together a life story, punctured with historical events that carry a weight of emotion.

With bucket loads of farcical frivolity and not a dying heroine in sight, Robert Andrew Greene’s Two Weddings, One Bride is anything but ordinary operetta fare.

The piece is a tearjerker and works in subtle ways – especially as it coincides with ANZAC Day and all of the thoughts, emotions and debates that emerge from its yearly remembrance.

Fifteen years after I first saw Cabaret and this wannabe Kit Kat Klub girl is as enamored as ever with Kander and Ebb’s score, Gale Edwards direction and flawless performances from the entire ensemble.

This was a show sung so beautifully I want to wish it were on a bigger stage, yet can’t believe it would have sounded as good when lacking the precious intimacy of this space.

One of Shakespeare's History plays, and the fourth longest in the entire canon, Richard III is a tricky piece and has the potential to just become a mass of talking heads coupled with bloody chaos.