
The piece is a tearjerker and works in subtle ways – especially as it coincides with ANZAC Day and all of the thoughts, emotions and debates that emerge from its yearly remembrance.

Fifteen years after I first saw Cabaret and this wannabe Kit Kat Klub girl is as enamored as ever with Kander and Ebb’s score, Gale Edwards direction and flawless performances from the entire ensemble.

This was a show sung so beautifully I want to wish it were on a bigger stage, yet can’t believe it would have sounded as good when lacking the precious intimacy of this space.

One of Shakespeare's History plays, and the fourth longest in the entire canon, Richard III is a tricky piece and has the potential to just become a mass of talking heads coupled with bloody chaos.

Where The Lion King was an entirely original theatrical reimagining of the film, this stage version of Aladdin wholeheartedly embraces its cartoonish origins, and frequently resembles an extravagant panto.

This version of Swan Lake rocks the scale on the swan meter and delivers great bang for buck when it comes to the serene, precise beauty of swans en masse.

And when that big shiny stage starts spinning, the whole thing feels very much like one of those cheesy TV comedy-dramas so popular with nice urban families.