
The Brisbane local boy (as he loudly announced "Indro kid 4068 represennnnt!" ) is back on home soil and performing where it all began for him – the iconic Brisbane Powerhouse.

Evan Placey's play is a keenly observed, cleverly constructed and penetrating piece of emotive, thought provoking theatre that pendulum swings our notions of guilt and innocence, victim and perpetrator.

We – mostly in our rigid bodies – see bodies all day long but never really see them reaching for their full potential, this physical exploration, and that's why this is such a visual feast. These six performers are our physical potential realised. And it's magical stuff.

Imagine a world where time doesn’t exist, at least not in the linear, beginning-to-end fashion that we are familiar with.

No musical discourse on the Australian landscape is complete without its great poet, Peter Sculthorpe, and we heard two of his early, ground-breaking engagements with it

WOMADelaide – the World Music Festival – is back in town again. This is a chance to relax, go back to nature and immerse in the cultures of the world through music, dance and art.

Once in a while a show comes along which so utterly surpasses your expectations that you leave the theatre feeling giddily happy at having seen something so full of vigour and sheer unadulterated fun.