Book of Exodus comes to an affecting conclusion and a strong final image, and there is no denying the artistry that has gone into it, but it’s hard to walk out with a clear reaction to the whole thing.
The carefully finessed skills in the acting and directing of this show is only apparent in one’s visceral response.
Mitchell has confidence, presence and appeal as a performer and the piece flows nicely and is well paced.
Hannagan has made Songs for Jack more than just a show about one love story, but about many stories, and about many perspectives.
Something about this In Flagrante performance at The Butterfly Club intrigued. I Googled. I saw a weird clip with women in G-strings pretending to be horses to the accompaniment of some really quirky music and I thought, this is weird. I like weird; I'm going to check this out.
As the debate rages on around the controversial teen TV show 13 Reasons Why, it’s no wonder that a 19th century equivalent is striking a chord and enjoying a remount by Monash Uni Student Theatre.
If there ever were a director equipped to handle the mammoth task of the 60th Anniversary production of My Fair Lady, it would have to be the great Dame Julie Andrews.
The two most revered jazz singers of Ethiopia sang with the band at high voltage – the love in the room was immense.
Don’t miss this, it’s as satisfyingly dramatic and spectacular a production of Othello as you’re...
The best night of theatre ever, this. It’s a terrific experience to see a Shakespeare play in an...
Ever since it's first performance in 1599(ish), Much Ado About Nothing has been one of...
Is it possible for a classical countertenor to transcend into the world of pop, or even become...
Horrible Harriet revels in her horribleness, as she struts her stuff at the Art Centre...
