It’s a tumultuous cloud of life-changing decision that descends on many women as their 30s roll-out. To be a mother or not to be – that is the question?
Melbourne Reviews
The play pares down Peter Carey's Bliss to produce an entertaining three-hour show, with plenty of onstage shenanigans.
It's difficult to determine who the real star is in this piece; the exquisite writing, or the equally perfect performance. That both are the work of the same person... truly impressive stuff.
- Doug Knight
Hungry Ghosts | Melbourne Theatre Company
Described as a post traumatic play, Hungary Ghosts is both complex and challenging. While conscious in its use of multiple characters and threads, commentary on national themes does give echo to a central, more personal narrative around culture, loss, belonging, patriotism and identity.
In a one-woman one-hour show contemporary Australian playwright Hannie Rayson charms her audience with snippets from her life and her book, Hello, Beautiful!
Max Riebl, Melbourne’s favourite countertenor has done it again, bringing his latest baroque/pop mash up to the masses with Hard to Handel.
McClements’ Cleopatra is a force to be reckoned with, an untamable spirit whose loyalty to her country is only matched by her love for the great Roman warrior Mark Antony (Johnny Carr).
Right Now is a play that leaves more questions than it poses as a young couple meets three imposing and eccentric neighbours. The line between fantasy and reality blurs in this theatre of the absurd.
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