The speciality acts are first rate and the quartet of dancers intermingled through the acts are also top quality.
What transcends however, is a confused production that is one half Shakespeare, one half soap-opera that barely manages to scratch the surface of the original text.
The crushing barbs come thick and fast between these two from the moment they appear in in the box seats above.
It’s both an entertaining and moving story that aptly depicts the passion and joy Allen brought to the stages he performed on.
With its tent compound of concession stands, carnival games and intimate seating area, it is old-school circus with old-school aesthetics in a litany of different offerings, almost like a variety show.
The circus skills are high and shine brightly, especially when dramatic ideas are sometimes overextended.
This is a play that begins with a focus on the process of acting and in the hands of these two outstanding performers, the layering of the narrative against the work they are actually doing, for real, is utterly joyful.