Melbourne Reviews

Details: Heather Bloom; 15 March 2021

Swapping 16th Century Verona for 1930s Hollywood, and a lengthy title for the short and snappy “Two Gents”, the text takes on new meaning in the slick, glamorous world of studio system stars and overbearing producers.

Details: Hayden Burke; 15 March 2021

Nicci Wilks delivers both physically and vocally filling the large fortyfivedownstairs warehouse space with ease in this one woman show.

Details: Doug Knight; 14 March 2021

This play is that guest at your dinner party who, with one potent observation, generates such discomfort that all assembled clamber for composure after the resonating truth has been spoken.

Details: Heather Bloom; 12 March 2021

It’s been far too many Friday nights spent indoors and away from the luscious velvet curtains of the Princess Theatre and icy blonde locks of Draco Malfoy.

Details: Doug Knight; 30 January 2021

Despite its seemingly bleak subject matter, Come From Away is joyous, hilarious, hopeful, remarkable and true and as you leave the theatre, you may just feel better about the world you re-join.

Details: Heather Bloom; 27 March 2020

Alice Topp’s Logos that stole the show, the romantic yet demonic work was the standout of the evening and the kind of ballet needed to shake up the industry.

Details: Doug Knight; 14 March 2020

Emerald City | Melbourne Theatre Company

David Williamson has been writing for us and about us for half a century. Across theatre, film and television he has told our stories cleverly, humorously and often uncomfortably.

Details: Danielle Cummins; 11 March 2020

You know the feel good story of a young boy, from an unlikely background discovering a love and talent for ballet. It's a passion that's at odds with expectations and understanding of his family. Billy Elliot is the ultimate story of triumph over adversity.