Dolly Diamond returns to Midsumma with her trademark bitchiness, acid one-liners, talent at reworking the lyrics of songs to hilarious effect and her 13 piece big band.
Aeros takes us on a journey that dazzles and delights us, while introducing us to a new language of movement through the collaboration of world-class choreographers and champion gymnasts.
This brilliant revival with its technological enhancement and imaginative staging, along with a finely meshed team of actors, gives White’s play a spring cleaning and brings it up good as new.
Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.
This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
Quirks of the source – and of the environment that sustains it – are cleanly exposed in a high-energy hour of physical comedy, delivered with moments of avian grace.
The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.