In Shout!, it sometimes feels like the actors are aware of the awkwardness of their lines, and are just waiting for the music to start so they can have a dance
This production of the bittersweet Shakespeare staple, Romeo and Juliethas a distinct suburban flavour and is vaguely reminiscent of Baz Luhrmann’s film interpretation of the popular romantic tragedy.
Patrick Marber’s finely crafted script closely follows Moliere’s interpretation of the character and catapults him into the 21st Century with an individual and contemporary spin.
Don We Now Our Gay Apparel has everything you'd expect from a Christmas show: carols with nifty harmonies, jokes about wrapping presents, and a twisted take on a traditional Christmas tale
The final ten of the Top 30 on show this week range from the excellently written and performed to the interesting but unprofessional or patently predictable.
Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.
This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
Quirks of the source – and of the environment that sustains it – are cleanly exposed in a high-energy hour of physical comedy, delivered with moments of avian grace.
The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.