Like Lucy Guerin Inc's season of 'Love Me' earlier in the year, this showing of 'Aether' was a return season for Melbourne, however – as with all Guerin's works – it was well worth revisiting.
Monty Python’s Spamalot manages to fulfill the expectations of fans and novices alike; it even prompted a spontaneous sing-along moment prior to the scripted one.
We are whisked off our feet by Goddard’s laconic enthusiasm as she prances around the small stage, recalling people and places she visited while in the city of light.
Not often do we find ourselves in the presence of a genius. I can however, safely say that after Brian Lipson’s A Large Attendance in the Antechamber, my good fortune landed me in the company of two of them
Sondheim musicals are known for testing even the most seasoned performers, so what a delight it was to experience such an excellent production of 'A Little Night Music' from VCA's Music Theatre students.
Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.
This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
Quirks of the source – and of the environment that sustains it – are cleanly exposed in a high-energy hour of physical comedy, delivered with moments of avian grace.
The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.