D.E.A.D. concerns the Department of Existence and Death who are tasked with determining the final resting place in eternity for those who have recently died
The Mercy Seat, set in New York a few days after the 9/11 attacks, engages the audience to ask, when faced with tragedy have you ever wondered - what’s in it for me?
Can you ever have too much of a good thing? After watching hedonistic performer Rufus Wainwright grace the stage of Hamer Hall for just under three hours, one can only wonder
Your Life As A Dyke is the pseudo, kinda, sorta sequel to My Life as a Dyke, conceived, ‘written’ and performed by two young talents, Nik Willmott and Rachel Forgasz.
Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.
This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
Quirks of the source – and of the environment that sustains it – are cleanly exposed in a high-energy hour of physical comedy, delivered with moments of avian grace.
The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.