
Musicals are funny little creatures. They do strange things to people. What is it about an impromptu but well-choreographed song and dance routine that has the most bitter cynic swaying in their seat?

There are some songs that everyone knows the words to. Songs that are intimately familiar and conjure memories from the past: of a dance or a forgotten movie or a sunny afternoon.

This unusual combination of Baroque and jazz may be perceived as odd, yet the lustrous genius of Nigel Kennedy re-invents and brings out the best of both styles.

In true Sewell style, Nil, Cat and Buried is a brutally honest work, where the characters and their stories, in all their ugliness, are shoved down the throats of its audience.

Tognetti’s Mozart draws in fans of light classical music with a fresh selection of repertoire, which outshines the dull canon of the classical concert hall.

Blending direct-address with moments of theatrical flair Lloyd Beckmann is an intriguing dialogue across generations - a cozy theatrical event that is worth going home for the visit.

The great acting, direction and attention to detail audiences have come to expect from Red Stitch nevertheless can't save Farragut North from being a jumble of twists and turns and underdeveloped characters.