

The Memory Progressive blends dance movement with theatrical text, animated projections and a blistering score, to examine the aftermath of severe memory loss.

The result is a show in which the dancers seduce not just their fellow dancers, but also the audience.


These acts defy explanation and avoid description, but are pure moments of live energy.

At the age of 17 Sylvia Plath referred to herself in her diary as ‘the girl who wanted to be god’, this use of the past tense perhaps foreshadowing her early demise.

The play’s downfall is that playwright J.T. Rogers seems not to know what his play is trying to say or how to say it.