
Ewen Lesley’s Richard is powerful and compelling, so ruinously evil and forcefully seductive that you just want to shag him out of sheer gratitude.

Black clothes? Check. Black guitar? Check. Uncomplicated melodies, distinctive vocal, rock star swagger? Check, check and check. Why, oh why then, is it so hard to emulate Johnny Cash?

Director and choreographer Kelley Abbey has done well to play to unique strengths. Overall, the best singers stand out as individuals while the dancers are strong as a collective ensemble unit.

The grand Astor theatre in St Kilda housed a rare event on the Australian arts calendar - live film music played by a full orchestra!

The problem with an over the top, unbelievable set-up in a play is that when a layer of emotional ‘reality’ is superimposed over the ludicrous it can come across as manipulative.


Propaganda is full of darkness, absurdity and beautifully wry theatricality, revealing tenderness and intimacy at its core.