One of the defining features of Wilde’s plays is their endlessly quotable dialogue, and the cast clearly relish their lines.
Of the four acts and emcee there were enough laughs to feed the hungry crowd, but some courses were tastier than others.
This may be one of the first Australian musicals that I’ve really, genuinely enjoyed. Americans can get away with the absurd cheesiness that tends to go along with the genre, but it usually seems completely anachronistic in Australian theatre.
we unfold is a tour de force combining a stunning score by Ezio Bosso and powerful video art by Daniel Askill with talented dancers under the visionary direction of Bonachela.
Unfortunately, I don’t feel that this production has done justice to Gibson’s script.
Strong singing and enjoyable broad physical comedy rescued the opera from its weaker elements, in what is undoubtedly a very accessible interpretation of Puccini’s work.
Cullen’s play masterfully demonstrates just how little has changed since Henry Lawson began to explore Australian nationalism in the late nineteenth century, but far more than that; it tells the moving story of one of Australia’s favourite sons.
Growing old gracefully - that’s got to be a cliché up there with ‘can’t teach old dogs new tricks.’ Fact is, both of those statements are wrong, as proved by the insightful play Codgers, which is like watching a wise man’s fireside tale come to life.
Master of the deadpan, harsh host of Hard Quiz, and heartless interrogator on Hard Chat, making audiences squirm as much as his victims – Tom Gleeson uses blunt-force trauma as his comedy schtick.
It doesn’t matter how much you know or care about the legality of the Essendon Football Club supplements program in 2013 – it won’t stop you enjoying this original and entertaining saga, because Kit Richards has a talent for making otherwise dull stories fun and interesting. And for writing damn good songs.
Real estate is just dirt, when you boil it right down, and Mamet’s pedlars of property sure are dirty.
Piano Mill’s success has been due to it offering an alternative means of experiencing fresh, original music in the spirit of a sonic adventure staged outdoors.
Valvo entertains the crowd with well crafted jokes about life, love and champagne.
Multi award-winning Australian music theatre and opera star Taryn Fiebig, who made Prince Charles cry with her artistry, passed away in Sydney last night from ovarian cancer, aged 49.
Audiences around Australia will have the opportunity to see Melbourne Theatre Company productions direct from stage to screen with the premiere of MTC Digital Theatre – Friday 16 April 2021.
Andrew Myer AM, Chairman, Sidney Myer Fund has announced the winners of the 2020 Sidney Myer Performing Arts Awards.