The Dark Side of Midnight is a very engaging play. The way its domestic conflict is surrounded and punctuated by political turmoil is truly inspired, as is the way it doesn't use politics as a substitute for plot and character.
I suspect this may be the first time I've seen a New Zealand play on an Australian stage. It's a novel irony to hear actors we know to be Australian making disparaging remarks about Australia in a New Zealand accent! In all, Roger Hall's play was a joy to see.
The tragedy, I think, for MP, is that politicians really, genuinely, aren't very interesting. In most cases they're human beings who have had to curtail part of their humanity to make themselves palatable to their party first and then to their constituency.
The audience for any one night is divided into five groups of twelve people, each of which walks between the venues, so that there is only a Covid-safe number of people in any venue at any one time.
Gaslight is an entertaining, non-convoluted, engaging and superbly written piece, so that it stands up well after 80 years, especially when its traditional strength is imaginatively blended with some non- traditional contemporary casting.
The night progressed, Amy showcasing her many talents, singing and playing the violin, and then indulging us, inviting her partner to perform alongside for a few songs on the acoustic guitar.
Ausdance Victoria reveals an alarming 92% of studio owners are worried their business won’t survive to March 2021.
Sydney Theatre Company today announced its current plans for the remainder of the 2020 season including a return to the stage with a COVIDSafe, socially distanced season of Angus Cerini’s Wonnangatta.
The Australian Chamber Orchestra (ACO) has today announced its musicians will return to the concert hall for the first time in six months.
Australians increasingly recognise the vital role of arts and creativity in almost every aspect of our lives, from education to mental health to strengthening local economies.
Be You Inc. have recently launched a new grant initiative to provide financial assistance for disadvantaged and POC artists auditioning for tertiary performing arts programs this year.