Canberra Reviews
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- Chenoeh Miller
Helios begins with the ancient Greek myth of Phaeton and gently pulls it into something recognisably human: school buses, mixtapes, teenage dares, grief, fathers, first kisses and one bright gold car.
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- Chenoeh Miller
No band. No spectacle. Two performers, a small collection of instruments, and a room prepared to listen.
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- Chenoeh Miller
Cirque Alice is a night of astonishment and delight – a celebration of bodies doing the impossible.
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- Chenoeh Miller
Stages of Empathy is not just a show; it is a model for what disability-led theatre can achieve when lived experience shapes every layer of process and presentation.
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- Chenoeh Miller
Croft and Spear revealed songwriting with intention, meaning, and an ethereal undercurrent.
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- Chenoeh Miller
The plot is thin, and the characters feel so underwritten that even the most dedicated actor would struggle to make them fully dimensional.
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- Chenoeh Miller
For one night only, Canberra Theatre Centre brought the beloved queer history podcast Queers Past onto the stage as part of this year’s SpringOUT Festival.
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- Chenoeh Miller
Elizabeth Cameron Dalman enters in sweeping red chiffon to open the space. It immediately feels ceremonial, generous, and charged with the weight of six decades in dance.
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