Brisbane Reviews
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- Gillian Wills
Initially the orchestra sounded great, if reserved, but fired and stoked the feels as the evening progressed and both parties fused.
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- Nicholas Routley
All in all, this is an evening of great fun and profound questioning, in which music and theatre constantly interweave and complement each other. Not to be missed!
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- Gillian Wills
Conductor, crusader, champion of new music and, with his shock of white curly hair, Rattle looks every bit the conductor. But if his appearance fits a stereotype, his professional approach is anything but.
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- Gillian Wills
If time travellers were a thing, someone should pay Mozart a visit, pump his hand and praise him for placing the humble viola as well as the showier, stage-stealing violin in the limelight in his Sinfonia Concertante K394.
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- Gillian Wills
Boy, Lost, Katherine Lyall-Watson’s stage play inspired by Kristina Olsson’s award-winning memoir, with brilliant direction by Caroline Dunphy, turns a harrowing real-life tragedy and its themes of domestic violence and emotional abuse into raw, unflinching, deeply moving theatre.
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- Nicholas Routley
Taking its starting point from a theatre production staged just after the second world war by Chinese workers at Bulimba dockyards, this play traces the story of a group of six men who had to flee China after the Japanese invasion in the 1930s.
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- Nicholas Routley
A collaboration of epic proportions. So the program describes the process of creating this beautiful, powerful recreation of the central love story of Homer’s Iliad; a process of blending and interweaving the innovative creative powers of two amazing theatre companies. It is not an exaggeration.
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