Brisbane Reviews
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- Gillian Wills
If time travellers were a thing, someone should pay Mozart a visit, pump his hand and praise him for placing the humble viola as well as the showier, stage-stealing violin in the limelight in his Sinfonia Concertante K394.
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- Gillian Wills
Boy, Lost, Katherine Lyall-Watson’s stage play inspired by Kristina Olsson’s award-winning memoir, with brilliant direction by Caroline Dunphy, turns a harrowing real-life tragedy and its themes of domestic violence and emotional abuse into raw, unflinching, deeply moving theatre.
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- Nicholas Routley
Taking its starting point from a theatre production staged just after the second world war by Chinese workers at Bulimba dockyards, this play traces the story of a group of six men who had to flee China after the Japanese invasion in the 1930s.
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- Nicholas Routley
A collaboration of epic proportions. So the program describes the process of creating this beautiful, powerful recreation of the central love story of Homer’s Iliad; a process of blending and interweaving the innovative creative powers of two amazing theatre companies. It is not an exaggeration.
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- Nicholas Routley
I have seldom been so impressed by the unanimity of purpose of director and conductor in an operatic production as I was in the care these two people gave to the music and the action.
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- Nicholas Routley
The Australian Chamber Orchestra is such a class act.
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- Nicholas Routley
Before this concert began, Patrick Nolan, the artistic director of Opera Queensland, told us that we were in for a treat. But it was much more than that.
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- Eden Bryant
This long-awaited show delivers all you can expect and is a veritable feast for the senses! As much fun as a Wonka Fudgie Wudgie (and as whimsical as a Whipple Scrumptious Fudgemallow Delight).
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MJ the Musical takes you on an immersive experience, like a montage of Michael’s memories and influences leading up to his ‘Dangerous’ tour.