Nakkiah Lui

Sydney Theatre Company announced last night that Nakkiah Lui is the 2018 STC Patrick White Playwrights Fellow.

www.helpmannawards.com.au

Live Performance Australia is pleased to announce Liz Jones AO as the recipient of this year’s Sue Nattrass Award.

Ian Potter Southbank Centre opens to students and staff

More than 1000 students and staff have moved into the new state-of-the-art Ian Potter Southbank Centre, home to the new Melbourne Conservatorium of Music.

Jane Bodie

Playwright Jane Bodie has been announced as the winner of the 2019 Lysicrates Prize for her play Tell Me You Love Me.

From this Friday 11 January the Australian premiere production of Harry Potter and the Cursed Child will begin releasing 40 tickets for every performance of the play for $40 per part.

Red Stitch Actors’ Theatre today announced their 2019 season, including five Australian premieres and another world premiere from the company’s INK program

Australian contemporary circus, Circa, has been awarded the PAC Australia Touring Legend Award for 2018.

Wildskin, the latest work from NORPA, showcases an all-female ensemble of riotous physical performers, each portraying an array of hilarious, recognisable and oddball characters.

Most read reviews

Black Brass | Belvoir


Black Brass is a play, personal and political, told through music and song that spans continents, colonisation and culture, and all the complexities that encompasses.

Jagged Little Pill – The Musical

Even though Jagged Little Pill – The Musical is based on the album of the same name, it is as far from a “jukebox musical” as anything could be.

Triple X | Sydney Theatre Company

Triple X is based on Glace Chase’s life experience and there is no doubting the raw honesty in the writing and her performance as Dexie.

The Little Prince

Based on Antoine de Saint-Exupéry's universally adored and admired book, The Little Prince is a light and sound phantasmagoria augmented by aerial and acrobatic choreography.

Priscilla, Queen of the Desert – The Musical

There is nothing I could write that would convey the unbridled enthusiasm of the Opening Night audience at Priscilla, Queen of the Desert.