Sonia Friedman, Colin Callender and Harry Potter Theatrical Productions, producers of Harry Potter and the Cursed Child, have today confirmed the record-breaking production will open in early 2019 in Melbourne, Australia, exclusively and only at Melbourne’s Princess Theatre.
Solli Raphael from Coffs Harbour, NSW has been crowned the youngest ever winner of the Australian Poetry Slam National Final.
2018 marks Rafael Bonachela’s tenth year as Artistic Director of Sydney Dance Company and his first full-length work since the epic masterpiece 2 One Another and the critically acclaimed Project Rameau in 2012.
Now in it’s eighth successful year offering Sydney audiences an exciting, accessible and powerful voice, Sport for Jove Theatre announce their most exciting season to date.
Ballarat Cabaret Festival is back in the spotlight, taking centre stage in Ballarat from 5 – 8 October.
Hoping to build on the successes of the past two years, with its growing subscriber base, industry initiatives and award-winning productions, MTC Artistic Director, Brett Sheehy AO, addressed the media prior to the official Season 2018 Launch on Monday evening, promising us works that span a diverse range of genres, periods, playwrights and talent.
Full list of winners from the 2017 Helpmann Award Winners
The second Melbourne Cabaret Fringe Festival features the original political and subversive show by Ella Filar’s Krows Bar Kabaret Raising ‘Ell!
Anthony Warlow could sing binary code and it would be a delight but the man deserves as much praise for being a profoundly good character actor as he does for the joy of his voice.
As its final show in our gorgeous State Theatre, The Production Company offers Melbourne a truly wonderful and benevolent parting gift in Ragtime.
If you’ve ever wondered what women really do behind closed doors, then look no further than Thigh Gap. Jamaica Zuanetti’s absurdist comedy is an uncomfortably relatable production, in which two 20 something women reveal all the “secret women’s business” the ladies have been concealing.
For a first play this is not short on ambition, tackling not only racism from an underrepresented angle, but also classism, misogyny, cultural specificity in a globalised marketplace, corporate culture, and the currency of outrage in the social media age.
For those of us who were there, down to every man, woman and child, this was a performance that will linger long into our lives.
