In the stunning surrounds of Raheen, her historic 19th-century home, a fortunate few eagerly awaited Jeanne Pratt AC stepping up to the podium to announce the shows that would form The Production Company’s 20-year anniversary season.
At a star-studded ceremony last night, the winners of the 2017 Sydney Theatre Awards were announced, with 37 Awards presented, shared between 18 productions which played in Sydney during the calendar year of 2017.
It's what you make of it – get involved with the next Arts House season
A new cultural institution, the Australian Music Vault, was unveiled on Monday, in a purpose built exhibition space within the Art Centre Melbourne. Described by Victoria’s Minister for Creative Industries, Martin Foley, as “more than just an exhibition space, it’s the beating heart” of Australian contemporary music.
Belvoir has announced a suite of major new opportunities for emerging and independent artists aimed at supporting the future of theatre locally and nationally.
Wendy McCarthy AO has announced that she will retire as Circus Oz Chair at the end of October after nine years in the role.
Sonia Friedman, Colin Callender and Harry Potter Theatrical Productions, producers of Harry Potter and the Cursed Child, have today confirmed the record-breaking production will open in early 2019 in Melbourne, Australia, exclusively and only at Melbourne’s Princess Theatre.
Solli Raphael from Coffs Harbour, NSW has been crowned the youngest ever winner of the Australian Poetry Slam National Final.
If ever you have been a school teacher, or a Sunday school teacher, or a parent – or if ever you have been a child, you will love this play!
The Hamlet Apocalypse is a curious event that is visually and aurally over the top and will keep your heart in your throat for the entire performance.
The third in the trilogy that began with Brighton Beach Memoirs and continued with Biloxi Blues, Broadway Bound is the conclusion story of Simon's pre-adulthood and of the seismic shift that simultaneously occurred between three generations of his family.
If Shakespeare created a lot of fun for his actors with this play, Phillips has boosted the comedy factor with his operatic vision, creating a spectacular entertainment and promising audiences a hilarious and joyous night out.
A sound mix mess spoils the party in a cacophony of screech and bellow and a crowded choreography of stomp and swing in Little Triangle's production of The Wild Party.
