From this Friday 11 January the Australian premiere production of Harry Potter and the Cursed Child will begin releasing 40 tickets for every performance of the play for $40 per part.
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Red Stitch Actors’ Theatre today announced their 2019 season, including five Australian premieres and another world premiere from the company’s INK program
Australian contemporary circus, Circa, has been awarded the PAC Australia Touring Legend Award for 2018.
Wildskin, the latest work from NORPA, showcases an all-female ensemble of riotous physical performers, each portraying an array of hilarious, recognisable and oddball characters.
After seven years at the helm of Chunky Move, Artistic Director Anouk van Dijk has announced her decision to step down.
Ten scene books providing a unique visual record of Australia’s early theatre history, have been digitised and made available online for all to download, study and enjoy.
The former Victoria Police Mounted Branch stables have been transformed into world-class teaching and learning facilities for students of the University of Melbourne’s Faculty of Fine Arts and Music following an $18 million make-over.
Sydney based designer Michael Hankin is the 2018 recipient of The Kristian Fredrikson Scholarship For Design in The Performing Arts.
Most read reviews
Jekyll and Hyde
Anthony Warlow could sing binary code and it would be a delight but the man deserves as much praise for being a profoundly good character actor as he does for the joy of his voice.
Ragtime | The Production Company
As its final show in our gorgeous State Theatre, The Production Company offers Melbourne a truly wonderful and benevolent parting gift in Ragtime.
Thigh Gap | La Mama
If you’ve ever wondered what women really do behind closed doors, then look no further than Thigh Gap. Jamaica Zuanetti’s absurdist comedy is an uncomfortably relatable production, in which two 20 something women reveal all the “secret women’s business” the ladies have been concealing.
White Pearl | National Theatre of Parramatta/Sydney Theatre Company
For a first play this is not short on ambition, tackling not only racism from an underrepresented angle, but also classism, misogyny, cultural specificity in a globalised marketplace, corporate culture, and the currency of outrage in the social media age.
The Glad Tomorrow | Katie Noonan and the Australian String Quartet
For those of us who were there, down to every man, woman and child, this was a performance that will linger long into our lives.