Latest News
- Details
- Site Administrator
At a star-studded ceremony last night, the winners of the 2017 Sydney Theatre Awards were announced, with 37 Awards presented, shared between 18 productions which played in Sydney during the calendar year of 2017.
- Details
- Catherine Della Bosca
A new cultural institution, the Australian Music Vault, was unveiled on Monday, in a purpose built exhibition space within the Art Centre Melbourne. Described by Victoria’s Minister for Creative Industries, Martin Foley, as “more than just an exhibition space, it’s the beating heart” of Australian contemporary music.
- Details
Belvoir has announced a suite of major new opportunities for emerging and independent artists aimed at supporting the future of theatre locally and nationally.
- Details
- Site Administrator
Wendy McCarthy AO has announced that she will retire as Circus Oz Chair at the end of October after nine years in the role.
- Details
- Site Administrator
Sonia Friedman, Colin Callender and Harry Potter Theatrical Productions, producers of Harry Potter and the Cursed Child, have today confirmed the record-breaking production will open in early 2019 in Melbourne, Australia, exclusively and only at Melbourne’s Princess Theatre.
- Details
- Site Administrator
Solli Raphael from Coffs Harbour, NSW has been crowned the youngest ever winner of the Australian Poetry Slam National Final.
- Details
- Site Administrator
2018 marks Rafael Bonachela’s tenth year as Artistic Director of Sydney Dance Company and his first full-length work since the epic masterpiece 2 One Another and the critically acclaimed Project Rameau in 2012.
Most read reviews
Sylvia Cornes certainly looked the part of Rickie Lee Jones with a sheer black mesh dress, a top hat with feathers and bare feet.
Yes, the bodies you see are perfect specimens of sculptured sixpacks and biceps you could walk over and get at least 2000 steps in. But they are muscles moving bodies in marvellous ways. These boys can dance and every movement is potent.
With the world struggling to find a new norm in these ever-changing circumstances, never has the phrase “the show must go on” been more apparent.
This is a production of which any director, cast and theatre company should be proud.