A quarter of a century after being established, one of Australia’s most innovative and acclaimed contemporary dance companies celebrates its storied history with a new multimedia digital archive as it looks to a bold new era under leadership team, Antony Hamilton, Kristy Ayre and Freya Waterson.

Since its inception in 1995, Chunky Move has helped shape Australia’s cultural landscape, intoxicating and enthralling local and international audiences with its genre-defying works.

In the company’s early days, the goals of founding artistic director and renowned choreographer Gideon Obarzanek were relatively modest, and predominantly focused on facilitating government funding applications for independent artists. By 1997, Chunky Move had made its mark as force to be reckoned with, winning tenure as Victoria’s flagship contemporary dance company after just two years in business.

In the years since, Chunky Move has become firmly embedded in Melbourne’s cultural zeitgeist, exerting a profound influence by bringing contemporary dance into the mainstream. The company’s trademark irreverence towards choreographic convention has surprised, challenged and delighted countless audiences around the world, with boundary-breaking and audacious shows traversing new media, installation and stage formats. As one of Australia’s most internationally successful performing arts export, Chunky Move has toured and performed in 123 cities and reached over half a million audience members.

“I am so proud that what began twenty-five years ago as an invaluable resource for my generation of young artists, continues to flourish today for Australian dancers and adventurous audiences” said founder, Gideon Obarzanek.

“Chunky Move was an audacious proposal to Jeff Kennett’s bold callout for a new dance company. It dared to challenge the status quo of what a dance company can create, how it does it and where it happens. Authentically Melbourne, we found our audience all over the world and split our time between working hard in the studio and on the road. There are very few accomplished dance artists working in Australia today who cannot trace some of their experience to the influence of Chunky Move.”

Obarzanek’s passion for supporting independent artists was writ large in 2007 with the introduction of Next Move – a commissioning program dedicated to supporting the next generation of Australian creative talent – that has seen the company commission, produce and present 11 world premieres since its inception, including Stephanie Lake’s award-winning AORTA and Atlanta Eke Miss Universal.

Only three artistic directors have helmed the company over the course of 25 years and 65 shows.

In its early days under Obarzanek, Chunky Move helped define the “Melbourne style” of contemporary dance, in large part due to Obarzanek’s reinvention of the ensemble model, which shone the spotlight on individuals and cultivated collaborations while spawning runaway successes such as Glow and Mortal Engine.

In 2011, internationally renowned Dutch choreographer Anouk van Dijk stepped into the role, with her European perspective and self-devised ‘Countertechnique’ movement system producing unforgettable spectacles An Act of Now and Complexity of Belonging.

In 2019, two long-established Chunky Move alumni, Antony Hamilton and Kristy Ayre, along with producer Freya Waterson, took the reins, marking their arrival with Token Armies, a bold, elaborate work that declared the team’s intentions to push boundaries with multidisciplinary work driven through creative collaboration.

Today, the new leadership team continues this legacy, with a keen focus on talent development and amplifying diverse artistic voices, partnerships, collaborations and initiatives. Steering Chunky Move into this exciting new era, artistic director and co-CEO Antony Hamilton, has been involved with the company for over 17 years, having danced under the direction of Obarzanek in the early years. Hamilton’s prolific and extensive career has seen him receive numerous prestigious fellowships and awards, including a Helpmann Award, five Green Room Awards and a New York Performing Arts Award (Bessie), while his creations have consistently drawn attention internationally for their boundary-pushing choreography, acting as a catalyst for daring new experimental works across the industry.

“When you become Artistic Director of such a significant company with its very iconic history, you have to thoughtfully consider what kind of a company dance needs right now,” says Hamilton. “As with all institutions in 2020, we are asking ourselves what our role is, who gets to be a part of the conversation and what new stories we want to tell that can be more reflective of our rich society and contemporary reality? I am always trying to keep my ear to the ground, seeking out voices in contemporary dance and other aligned art forms that are somehow on the periphery. We’ve made it our primary goal to diversify our program and expand opportunities for artists and audiences to engage with the company in new ways.”

To celebrate its milestone year, Chunky Move has revealed a multimedia digital archive featuring previous works by the company and its collaborators, as well as exclusive behind the scenes never-before-seen footage.

Over its 25 years, and with each new artistic director, Chunky Move has successfully reinvented itself in new and unexpected ways – delivering a thrilling trove of performances to audiences the world over. As the company embarks on its next chapter, its remarkable history will undoubtedly inspire a new vision for the future that is equally as daring and diverse – delivering ever more thrilling and engaging performances and cementing Chunky Move’s reputation as one of the true luminaries of the global contemporary dance industry.

Visit the Chunky Move digital archive at cmarchive.net


Most read reviews

Driftwood The Musical | Umbrella Productions

Driftwood the Musical is a moving, enthralling story of a family surviving the ravages of war. It so timely, that it’s both poetical and painful.

Blackheath Chamber Music Festival 2022

This year's line-up, a cross section of some of the finest chamber ensembles in the country, would have graced any of Australia’s more well established festivals, and it is a massive endorsement of Festival Director Catherine Harker’s entrepreneurial skill that she was able to secure these wonderful musicians for a festival that too few people have yet heard of.

The Girl from the North Country

Set in Duluth Minnesota in 1934, The Girl from the North Country is a snapshot of troubled people enduring troubled times, gripped as they are by the Great Depression.

Cathedral | State Theatre Company of SA

It's a brave actor that takes on a single hander. The challenge of remembering lines, and holding audience's attention alone on stage for an hour and a half is a gargantuan one. But the actor is not alone.

Pieces of Shit | Bronte Charlotte and Leigh Scully

Charlotte and Scully delivered a thoughtful, funny, and moving new play that balanced toilet humour with hard-hitting, timely content.

Most read news

& Juliet, to premiere at Melbourne’s Regent Theatre in 2023

The greatest remixed love story ever told and West End award-winning anthemic pop musical, & JULIET, will make its Australian premiere at the Regent Theatre from February 2023 in a new production exclusive to Melbourne.

Entries for $10,000 Playwright’s Award Close Soon

In November 2021, Newcastle’s premier theatre production house, The Very Popular Theatre Company, launch its inaugural $10,000 playwright’s award, which is open to applicants across Australia.