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January,
2019
January 2019
Mon Tue Wed Thu Fri Sat Sun
31 1 Tuesday, 1 January 2019 2 Wednesday, 2 January 2019 3 Thursday, 3 January 2019 4 Friday, 4 January 2019 5 Saturday, 5 January 2019 6 Sunday, 6 January 2019
7 Monday, 7 January 2019 8 Tuesday, 8 January 2019 9 Wednesday, 9 January 2019 10 Thursday, 10 January 2019 11 Friday, 11 January 2019 12 Saturday, 12 January 2019 13 Sunday, 13 January 2019
14 Monday, 14 January 2019 15 Tuesday, 15 January 2019 16 Wednesday, 16 January 2019 17 Thursday, 17 January 2019 18 Friday, 18 January 2019 19 Saturday, 19 January 2019 20 Sunday, 20 January 2019
21 Monday, 21 January 2019 22 Tuesday, 22 January 2019 23 Wednesday, 23 January 2019 24 Thursday, 24 January 2019 25 Friday, 25 January 2019 26 Saturday, 26 January 2019 27 Sunday, 27 January 2019
28 Monday, 28 January 2019 29 Tuesday, 29 January 2019 30 Wednesday, 30 January 2019 31 Thursday, 31 January 2019 1 2 3

Most read reviews

  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • The Glass Menagerie | Melbourne Theatre Company
    This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.