What's On

Love and Anger
 

A womanifesto, call to arms and long, hard kiss from surreal showgurl, obscene beauty queen and totem critter, Betty Grumble.

Witness her ecosexually charged protest party of dancing dissent, disco and deep push back-ery, where pleasure is a radical act and the body a bloody love letter. Love and Anger is a “reclamation of the feminine spirit in all its juices, jiggles and joy” (Edfest Mag).

“A Revelation.”
The Age

Winner Innovation in Form, Green Room Awards 2017
Nominee Best Cabaret Performer, Helpmann Awards 2017
Winner Best Cabaret, Fringe World 2017, 2018

Created and performed by Betty Grumble
Set and Costume Designer Emma Maye Gibson (and her unknowing mother)
Sound Designer Emma Maye Gibson
Including music by Stereogamous

 

Event details

Venue: SBW Stables
Bookings: This email address is being protected from spambots. You need JavaScript enabled to view it.
Start Date: Wednesday 23 January 2019

 

Find more events in Sydney»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read reviews

  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • The Glass Menagerie | Melbourne Theatre Company
    This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.