
Its an at times grotesque satire of corporate society, full of prurient machismo, greed and moral compromise. It asks what happens to women who compete in a man’s world? Can they get what they want? And at what price?

Five Properties of Chainmale is by no means perfect. But it’s fun nonetheless and the insights are real.

What happens to us without close, supportive affectionate bonds? What part of ourselves is lost? Can it be recovered? These questions are at the heart of Lyle Kessler’s rivetting play Orphans (1983) on now at the Old Fitz.

Haircuts is all about people building a life for themselves and their family. The symbolism of the haircut is that, without realising it, you do in fact leave a piece of yourself wherever life takes you.

The play revolves around the lives of two characters, a man and woman of indeterminate age and occupation. They live in an undisclosed city in an apartment with a view. They recognize their own environment through a film of amnesia, leaving them with associations, but no memories.

Once you see McLachlan as Frank you will be asking, “Tim who?” It isn’t difficult to see why McLachlan was awarded the 2014 Helpmann Award for ‘Best Male Actor in a Musical’

In Songs in the Key of Black three sublime talents – Irving Berlin, Lucy Maunder and Isaac Hayward – converge in a most enjoyable performance.