
In The Unknown Soldier, Sandra Eldridge has written a play for young people about learning, relationships, and the possession of history.

The House of Ramon Iglesia is both sincere and compassionate without giving way to false-answers or back-slapping. Between love and hope there is also failure and forgiveness.

Inspired by the 2008 loss of 5 billion Euro on the futures market by Jerome Kerviel, Trade is an unpolished allegory of moral and intellectual collapse.

Sport for Jove has grasped this play, coloured and shaped it into a living whole. It's a pleasure to discover it with them.

Julia-Rose Lewis draws on the stultifying uneasiness of an Australian country town to set the tone of her first play, Samson.

Director Adena Jacobs has reimagined Oz as a “symbolic dream” telling what she calls a “central myth within our culture”, one which is concerned with the female body and the female mind.

The opening two numbers in Dogfight had the whole audience whistling and hooting their applause. It started small, with Hillary Cole’s crystalline voice singing a folksy, acoustic solo, and segues into a high octane routine by the boys from the marines.