
Directed with a fluid panache by Susanna Dowling, Snugglepot and Cuddlepie is an enchanting entertainment that enhances the literary legacy left by May Gibbs.

Translating a non-musical film to a stage musical is always risky business. Sometimes it works and sometimes it really doesn’t. Luckily Bring It On the film already had a lot of musical characteristics to work with, so its stage counterpart needn’t have strayed too far from the original incarnation.

Making people laugh is harder than making people cry but not for Aunty Donna who make the whole audience laugh while making it look easy.

It is a fairly flimsy and predictable work, but director, Christopher Renshaw’s strong cast work very hard to present an entertaining show.

Biggins deals with racism, patriarchal indulgence, disability, education, bigotry, (old-age and new-age) technology, food choices, indigenous culture, bullying, economic growth, old-school mentality and so much more of the current human psyche – all with a laconic smirk and a twist of the knife.

Two of Australia’s much loved playwrights, Brendan Cowell and Lally Katz have combined to blow a breath of fresh air into Belvoir St’s Downstairs Theatre with their two short romantic comedies, TheDog/The Cat.

Kate Gaul seems to be the go to gal when it comes to staging Irish playwright Enda Walsh’s plays in Sydney.