Humanity is, indeed, at the core of David Lindsay-Abaire’s Tony and Pulitzer prize-winning play. These are characters with well-constructed, believable depth and range, and a real treat for good actors.
In the narrow, side-on confines of Pitt Street's Pilgrim, there was an air of tense anticipation on this, opening night, which got underway just a tad later than scheduled. But it was well worth the wait.
Each play is as different as you could hope to have, and it goes to show that there really is an abundance of ripe and unique playwriting talent alive and kicking in the Sydney scene.
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.