Josh Thomas makes his dorky dweebiness his schtick throughout the show and elaborates constantly on the fact that sex, drugs rock’n’roll wasn’t exactly his teenager experience.
One day, notwithstanding the vigour we might now possess, or assert, you and I might well lapse into a social stratum to which we've no particular aspiration. The drooling class. We are all born to die. But it's a living death, perhaps, we fear most.
NIDA’s 2009 graduating class production of Women Beware Women is a treat for those of us who rarely get to see local productions of works by either of the playwrights involved in this collaboration across the centuries.
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.