Sydney Reviews

Details: lloyd bradford (brad) syke; 10 March 2010

Meow Meow is a very different kinda kitten, with teeth and claws, which put her at the cutting-edge of what might be called alternative, or indie, cabaret.

Details: lloyd bradford (brad) syke; 06 March 2010

Scott and co have delivered a quality of performance which does it proud indeed.

Details: lloyd bradford (brad) syke; 04 March 2010

He looks almost as good as ever. He sounds every bit as good as ever. If not even better.

Details: Jack Teiwes; 28 February 2010

Money and Friends is a gently scathing lampoon of those wealthy enough to have waterfront properties in Sydney and holiday houses down the coast, and how their greed is but one expression of their manifold personal shortcomings.

Details: lloyd bradford (brad) syke; 26 February 2010

Close your eyes and Bri Cowlishaw will take you places familiar, new, nostalgic, painful, peaceful, visceral, and elsewhere. Places you've been. Places you've seen. And places known that look quite different, when viewed from her sharply-defined angle.

Details: Eliza Eggler; 23 February 2010

The future of the counter-tenor looks extremely bright if France’s Philippe Jaroussky is anything to go by.

Details: Helen Barry; 22 February 2010

Powerful, bittersweet, funny and at times gut-wrenching and devastating, Bent is quite simply a great piece of theatre.

Details: Jack Teiwes; 15 February 2010

Joanna Murray-Smith’s play is pithy, unpredictable, and ultimately quite moving.

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In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
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To Shakespeare’s text be true is the obvious goal here, and writer, director and actor have each scored.
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Continuity | New Theatre
On the set of a big-budget Hollywood eco-thriller, the clock is ticking for an on time and under budget wrap.