Sydney Reviews

Details: lloyd bradford (brad) syke; 11 July 2012

I've seen, heard and reviewed Martinez Akustica a number of times now. I never tire of doing so, for every performance, even if numerous of the same tunes are played, is fresh and vital.

Details: Helen Machalias; 03 July 2012

Award winning Australian film director Bruce Beresford's Australian premiere of Die tote Stadt follows on from last year's acclaimed production Of Mice and Men and marks another stunning collaboration with Opera Australia.

Details: Helen Barry; 02 July 2012

Tonight, as we rocked up to Norths, the league's club that seemingly time (and the NRL) forgot, I had probably come to snigger. It's true. But Bobby Bruce, alias Nearly Neil and his "Aussie Band", had other ideas.

Details: lloyd bradford (brad) syke; 29 June 2012

Northern Ireland is a confusing place. During my not inconsiderable lifetime, it always has been. It's easy when a conflict has only two sides, but so many seem to be multifaceted.

Details: lloyd bradford (brad) syke; 29 June 2012

Epicentre's production, while very colourful and imbued with life, falls short of giving what is probably Fo's best-known its full due, in terms of its uncompromising slash-and-burn approach to institutional governance.

Details: Rebecca Whitton; 29 June 2012

Simon Stone's brilliant revival of this famous American classic fully realises the power of the play and makes it easily accessible to a contemporary audience.

Details: Jodi McAlister; 28 June 2012

The Histrionic (Der Theatermacher) | Sydney Theatre Company

There can be no doubt that Bille Brown delivers an absolute tour de force performance.

Details: lloyd bradford (brad) syke; 26 June 2012

Eastern Lounge is like a giant defibrillator for the north shore, reanimating a musical life on the mild side of the bridge.

Most read Sydney reviews

Uked! | Bondi Theatre Company
Uked! is a sing along, string along, immersive jukebox musical, that's more folksy balladeering than an all out, all that jazz razzmatazz.
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Contradiction, conundrum, conflict, racism, misogyny and homophobia run through this play like a main circuit cable snaking through a moral minefield of explosive allegation.
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Noni Hazlehurst brings Rose and The Lark to colourful and compelling life in this one-woman show.
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Following the unedifying edict that "there's a sucker born every minute", the show skewers the modern self-improvement economy in a piss-take parody of today's 'gurus' and snake-oil salesmen.
Heartbreak Hotel | EBKM
Heartbreak Hotel invites its audience into an intimate portrait of the universal and isolating experience of heartbreak.