Sydney Reviews

Details: Helen Barry; 12 June 2012

Men model their behaviour on the fathers who raise them. But what happens in the absence of a man on which to model? How do these boys learn to become who they are and in turn raise male offspring of their own?

Details: Penny Spirou; 10 June 2012

The English National Ballet have a mixed bag of performances at this event; a 'greatest hits' that really showcases the talent of the classically trained dancers.

Details: Rebecca Whitton; 09 June 2012

Truck Stop is a salutary insight into worrying contemporary teenage sexual mores and the resulting pressures faced by young people.

Details: Jodi McAlister; 08 June 2012

Charcoal Creek has everything going for it. It has a fantastic cast, is well directed, beautifully designed, and has all the resources of Merrigong's excellent development program behind it. Unfortunately, it is let down by the writing, and what lies beneath that writing.

Details: lloyd bradford (brad) syke; 06 June 2012

Something Old, Something New | Ali McGregor

By her own admission, her show, Something Old, Something New is a kind of 'trash 'n' treasure'. But Ali McGregor, as it turns out, can turn just about any old 'trash' into treasure.

Details: Trevar Alan Chilver; 30 May 2012

Crushed is the story of three school friends reunited 22 years after the disappearance of their mutual friend, Susie.

Details: Emily Garrett; 29 May 2012

Under Milk Wood | Sydney Theatre Company

What strikes me is not only the clarity of vision and the celebration of theatre in this poetic form, but also just the sheer magic of Thomas’ words.

Details: Jodi McAlister; 20 May 2012

Kate Box's performance as Elma is one of the best I have seen on stage in Sydney this year.

Most read Sydney reviews

Dancing at Lughnasa | New Theatre
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
Stage Kiss | New Theatre
There’s a palpable playfulness to these performances, disciplined, drilled and delightful. There’s fire, bite and fun and lots of kissing.
As You Like It | Fingerless Theatre
Wit and beauty, pride and sorrow, self disgust and merriment
My Brilliant Career | Sydney Theatre Company
Based on an Australian literature classic, My Brilliant Career is destined to become an Australian theatrical classic.
Sistren | Griffin Theatre Company
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.