

Footprints on Water is a claustrophobic play. Set in a small town that people seem cursed to live in and cursed to never leave, it is a dark, ominous, and sometimes blackly funny look at religion, hysteria, hypocrisy, cruelty, identity, racism, beginnings, ends, and the apocalypse.

The concept of A Trivial Pursuit is great but the execution is not. It has ideas and moments that I like (as well as a really good set), but the writing, direction, and acting could all use some improvement.


It's humorous, heartwarming, heartbreaking (but only a little), and, most importantly, it's a lot of fun.

Imagine the love-child of a menage a trois between, mmm, I don't know, maybe Sondheim, Midler & Minchin. You're getting close to the unpredictable versatility and prodigy of Collis' songwriting. She's a fine and powerful singer; she has comic sensibility that even transcends opening night nerves and can seamlessly shift from ridicule to rending of the heart. To top it all off, she's her very own musical director, banging a box with the kind of underlying finesse that suggests intensive formal training.
