Sydney Reviews

Details: Jodi McAlister; 29 November 2012

This is a show for the starry eyed eight year olds within us all: simple, hopeful, magical.

Details: lloyd bradford (brad) syke; 27 November 2012

Clockfire has preserved the quintessentially Kafkaesque nature of the idea, inasmuch as the unseen man is the very epitome of marginalisation; outsider; other.

Details: Jodi McAlister; 25 November 2012

Considering it went from being a blank page to being on the stage in the space of eight weeks, it is a remarkable and highly entertaining piece of theatre. It is well directed, wonderfully acted, and altogether a thoroughly enjoyable evening.

Details: lloyd bradford (brad) syke; 22 November 2012

If we're bad, can we become good? Or are all our futures a foregone, carved-in-stone, mapped out conclusion? This, of course, leads to even bigger enquiries. The biggest. Is there a God? A Devil? Did God create us, or we Her?

Details: lloyd bradford (brad) syke; 17 November 2012

It's a brilliant premise. Interpret an 'invisible' woman's everyday chores in a series of dances, loosely choreographed to tunes she might know and love.

Details: lloyd bradford (brad) syke; 15 November 2012

It's fitting we should have a play about deception at a time when dupes, hoaxes and cons are rife. Mind you, has it ever been any other way?

Details: lloyd bradford (brad) syke; 10 November 2012

Few things could be more bizarre than Uta Uber Kool Ja's hotel room soirees, staged high above the cobblestone streets in a room with a view, at the Old Sydney Holiday Inn.

Details: lloyd bradford (brad) syke; 08 November 2012

Mary Isobel Catherine Bernadette O'Brien. OBE, if it's all the same to you. But you probably know her as Dusty.

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