If your backside can endure an uncushioned bench for a couple of hours, a play must be pretty damn good. Andrew Bovell's When The Rain Stops Falling is better than good.
Savage In Limbo isn't as well-known or as oft-performed as the Oscar-winner's other plays. Probably because it cuts a little deeper and is more emotionally challenging; the last applying for both actors and audiences.
Prime: Orderly is the latest work by dancer-choreographer, Dean Walsh, based on two years' research into marine environments, a luxury afforded by his tenure as Dance Fellow with the Australia Council.
I well remember Zoe Carides from GP. It was a decent drama, insofar as it went, but a very modest examination of the abilities of the actor. Tarantula estimates them much better.
Mum's In is like a time-machine, peeling back the veneer of civilisation to reveal the beating heart of a city that has a well-earned reputation as a slut.
There are weak points when one looks critically through Moving Windows. But they can only really be seen close-up. Overall, one is impressed by taut & terrific performance, design, dance, lighting and music, amply informed by gentle wit.
The key piece I felt was missing from Falloutwas a motive. Why, exactly, were these four being held captive? They did not know, and perhaps I was supposed to share in their frustration, but ultimately, it left me feeling unsatisfied.
Donnelly is smart enough to leaven his heavy dough with a hearty dose of humour, which director, Rebecca Martin, takes every opportunity to exploit, while remaining ever mindful of the importance of the subject matter.
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.