I doubt that this opera will ever make it into the standard repertoire. Yet congratulations to the Festival organisers for putting it on especially in the current circumstances.
Not an entirely new concept but one so stylishly written and performed deserves praise and certainly a devoted following.
Frilly, flimsy and flippant, focusing on frivolity, the serious business of office politics, gender pay equality, sexual harassment and glass ceilings becomes an elusive facet.
Choreographer Jo Lloyd’s dance creations start from a concrete idea and dive into abstraction, with a wild, frenetic movement vocabulary.
The Australian Shakespeare Company, now in it’s 35th year of operation presents The Comedy of Errors with the same flair and panache audiences have come to expect over three decades of starlight memories and unique productions.