Latest Reviews
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Frilly, flimsy and flippant, focusing on frivolity, the serious business of office politics, gender pay equality, sexual harassment and glass ceilings becomes an elusive facet.
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Choreographer Jo Lloyd’s dance creations start from a concrete idea and dive into abstraction, with a wild, frenetic movement vocabulary.
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The Australian Shakespeare Company, now in it’s 35th year of operation presents The Comedy of Errors with the same flair and panache audiences have come to expect over three decades of starlight memories and unique productions.
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Naive theatre meets high tech in The Umbilical Brothers’ production, The Distraction.
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Audiences are back... for a frolicky musical borne from a movie, borne from nostalgia for the 1980s.
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Every performance as compelling and as strong as the next. Rarely do you see such equity on stage, a testimony of course to the remarkable talents of each individual but also the cohesion that can only be attributed to the director.
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SICK begins from the idea of living with autism and the "impulse to act out of the ordinary".
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In our post-COVID, jacked-up, Zoomed-out haze, can we take any more digital content at this stage?