The privilege of watching the thrilling skill, precision and exuberance of the Sydney Dance Company palpably rippled through the audience on the opening night of Artistic Director Rafael Bonachela’s Ab [Intra].
While the musical is jam packed with the finest and most fabulous 90s hits and the cast are phenomenal, the content simply does not stand the test of time.
In one of the most wholesome nights at the theatre possible, Cinderella incorporates all the sweetness and silliness of pantomime with the technical prowess (and budget) of a power-house musical production.
The Sound Inside is a gripping, intellectual play that is packed with literary references and yet devoid of emotional satisfaction.
There are those life changing moments, those “where were you when…” events where the world stops spinning and all the little grievances, concerns, and quibbles of daily life fade into insignificance.
Unfortunately due to the number of short plays, (12 in all) it is impossible to critique in detail each of the works.
Based on an original story by J. K. Rowling, John Tiffany and Jack Thorne, and written by Jack Thorne, Harry Potter and the Cursed Child represents the eighth instalment in the Harry Potter legend.