Latest Reviews
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I simply cannot fault this production, three hours and three acts disappeared into what felt like minutes, and I was spellbound by the classic tale brought to life with clarity, beauty, and artistry.
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In this, her latest collaboration with Melbourne Symphony Orchestra, post-post-modern diva Meow Meow manages to (almost) restrain her usual on-stage excess and antics and invites us to celebrate music from the 1920’s.
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Looking for Alibrandi is an adaptation of a popular young adult coming-of-age novel about a teenage girl, Josie trying to forge her own identity whilst straddling the cultures of her poor, traditional Italian family and the privileged, predominantly Anglo culture of her private school.
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All the dancers in the gala conveyed pure joy in dancing, which radiated off stage to the entire full house. Combine that with the multi-generational emerging and distinguished talent on display and the Australian Tap Festival is punching well above its weight by nurturing both the grassroots and elite of the tap community.
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This is an important play. It is a challenging, confronting, stimulating, inspiring, moving, provocative and extraordinary play.
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Gay’s turn of phrase is exceptional with her language paying homage to language itself.
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Mother May We is the debut solo show of Mel Ree, and through consummate gesture and costume, genuine warmth and charm, and an infectious energy, she immerses us in a wholehearted journey of reconciliation with her past.
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Instruments of Dance, the triple bill by The Australian Ballet, has a top pedigree. The three choreographers are all resident artists – of the Royal Ballet, the Australian Ballet and New York City Ballet, respectively.