Latest Reviews
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Manifesto is a powerful and stunning work by one of Australia’s most talented choreographers.
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Chaplinesque and Felliniesque, Room is a surreal realisation of the creative process, the creation of a show from concept to writing to auditioning to staging, a kaleidoscope of tumult, turmoil, bedlam and breakthrough.
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The power of Girls & Boys is in the performance, which is totally compelling. You don’t want a review strewn with spoiler alerts, you just need to know that the journey to the summit is thrilling and devastating, led by a towering talent.
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The Mousetrap is famous for being the world’s longest running theatre production ever, but it could be equally famous for being a remarkably conceived, thoroughly well written and totally enjoyable night at the theatre.
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Slava’s Snowshow is not just a love letter to the theatre but a resume outlining the possible.
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Sam O’Sullivan may well be David Williamson’s heir apparent at Ensemble, his play festooned with verbal foliage, a topiary pruned by topical shears that never let the branches sag with mere gags, instead shaping the story with sharp observation and an inquisitive wit.
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Given the extraordinary achievements of this incredible tennis player, it felt equally extraordinary to feel her life somehow diluted because writer and director Andrea James never quite goes for it.
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The Wasp is a dramatic psychological pretzel fabricated with fright, a genuinely arresting hundred minutes of percolating manipulation motivated by slights past and present and an audacious ambition to bring those slights to right.