In the likely event of forever, elevates the art of running late to unhinged heights. Literally this experimental show was twenty minutes late. And yes it’s about running late.
Hercules, Dionysus, Cupid and Apollo are in the house. They can tumble, balance, whipcrack and trapeze with the best of them, but they definitely don't take themselves too seriously.
ASMR is short for autonomous sensory meridian response – the “brain tingles” one gets when stimulated by sensory offerings like noises, sights or touch.
Playing for 70 years, The Mousetrap is famously the longest running play on The West End. Its ongoing popularity has made it a cultural institution, and it has become as much a part of tourists’ “must see” lists as The Tower of London.
I simply cannot fault this production, three hours and three acts disappeared into what felt like minutes, and I was spellbound by the classic tale brought to life with clarity, beauty, and artistry.
In this, her latest collaboration with Melbourne Symphony Orchestra, post-post-modern diva Meow Meow manages to (almost) restrain her usual on-stage excess and antics and invites us to celebrate music from the 1920’s.
Looking for Alibrandi is an adaptation of a popular young adult coming-of-age novel about a teenage girl, Josie trying to forge her own identity whilst straddling the cultures of her poor, traditional Italian family and the privileged, predominantly Anglo culture of her private school.
All the dancers in the gala conveyed pure joy in dancing, which radiated off stage to the entire full house. Combine that with the multi-generational emerging and distinguished talent on display and the Australian Tap Festival is punching well above its weight by nurturing both the grassroots and elite of the tap community.