Playwright Joshua White’s new work The Mentor is an intriguing and deft two-hander that tackles the tricky topic of ageism in the acting world.
A thrilling three hour journey, The Jungle and the Sea delivers exhilarating theatre at cracking pace.
Boy, Lost, Katherine Lyall-Watson’s stage play inspired by Kristina Olsson’s award-winning memoir, with brilliant direction by Caroline Dunphy, turns a harrowing real-life tragedy and its themes of domestic violence and emotional abuse into raw, unflinching, deeply moving theatre.
As theatre goes this is as tight, as well produced, as superbly directed, as big budget and as extravagant as you’re ever likely to see.
In Day After Terrible Day, facts are somewhat unimportant. This is a sensory experience which tempts its audience into becoming participants in the story.
The Perth Cabaret Collective have mounted another re-interpretation of their highly successful cabaret
You can’t get more universal in the ballet world than Swan Lake. The tale of good versus evil, love and betrayal, punctuated with the demure artistry of female swans en masse, has been danced and re-fashioned for decades, yet it never goes out of fashion.